Saturday, March 31, 2012

Make: Easter eggs « Make, Do and Spend

This makes a pretty impressive Easter gift and it’s not as tricky as you’d imagine, although to achieve a beautiful glossy finish to your easter eggs you do need to temper your chocolate. Yes, this is essential and  quite messy! Another important element to this is choosing a chocolate you like the taste of, cheap chocolate will result in a substandard product. Do your research first, taste testing is essential!

You can buy easter egg moulds here

Tempering chocolate can seem a little scary and complicated, different chocolates have different melting temperatures, but the following method works for all three, dark, white and milk. You don’t need a thermometer just a palette knife and a little patience. You can read more about the exact science here but if you follow a few simple steps you will find its not as complicated as it first appears.

Melt your chocolate over a baine marie until smooth and glossy, take your chocolate off the heat and pour roughly a third of your chocolate onto a cool, clean work surface. A marble slab is ideal if you are lucky enough to have one, my kitchen work surface had to suffice on this occasion! Work the chocolate with a palette knife, as you do this you will feel the texture of the chocolate changing as it cools and starts to solidify.

When the chocolate is almost set, and you can easily scrape and gather all of it onto your pallet knife it is ready to re-join the rest of your chocolate, pop it back in the bowl and gently stir until well combined and you have a bowl full of soft silky chocolate.

Next step is to fill your moulds with the mix.

Spoon in the chocolate and move it around the mould, either with the back of a spoon or just by tilting the mould itself in your hands. Don’t rush it. Let the chocolate find it’s own level. The moulds come in two halves which you join together at the end so attention to detail is key. Once you have a nice even coating put your moulds into the fridge to harden for 5 minutes or so, until the chocolate starts to dull, then you are ready to add your second coat.

Three coats should do the trick.

Your third coat is the most important as you need to seal the two halves of your eggs together to make a complete egg. You need to make sure the joining surface of your eggs are flat and that you have plenty of tempered chocolate to paint over the edges to be fused together. If you’re eggs don’t fuse together first time you can trim down the edges of your egg halves, so you have a nice flat surface then apply some of your tempered chocolate around the seam of your egg with a pastry brush.

A fifteen minute wait while the egg sets up in the fridge, this should be long enough for the chocolate to seal together. Chocolate doesn’t like to hang out in the fridge for too long. It will attract moisture and sweat, undoing all the hard work of your tempering. Keep an eye on it and once its set remove from the fridge and store at room temperature.

If you’re eggs have sealed properly they should pop out quite easily, and tempering your chocolate should ensure a shiny gloss finish. You could even store little gifts inside to be revealed when the egg is cracked open, or hide clues and riddles inside to create the ultimate easter egg hunt!

How long does it take to recover from dental implants? | North ...

Dental implants can be used to replace unhealthy teeth or to fill in the gaps where there are any missing teeth. Made from titanium rods, dental implants are root devices that are screwed into the jaw of the mouth, and then fitted with a dental prostheses, whether a crown, a bridge or dentures. But whilst the demand for dental implants is growing, many people are wondering how long these implants take to heal.

Dental implants require osseointegrating with the surrounding bone, a natural process which means there is no way of accurately predicting a recovery time. The implants are know as root-form endosseous implants meaning that to become secure, titanium screw and bone must first fuse together. But generally speaking, the process takes anywhere between six weeks and six months.

Something slightly more measurable is that implants on the upper jaw usually take longer to fuse that implants on the lower jaw. Understandably, most patients are keen to have the use of their implants as soon as possible, but care must be taken to ensure that the rod has fused before the prosthesis is fitted and the tooth is used.

Once the rod has been allowed to fully fuse with the bone, the dentist will then lift the gum and fit a temporary crown. After four to six weeks – once the gum has healed – the patient then returns to get the permanent tooth replacement fitted.

But dental implant technology is getting better the time, and now there are a number of immediate implants also available including ‘teeth in a day’, ‘fast and fixed’ and ‘all-on-four’. These techniques are usually fitted within a day (including both rod and prosthesis) but even so, time and care must still be taken to allow the rod to osseointegrate with the jaw bone just as mentioned above.

Find out more about dental implants.

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Cooler Insights: Voyage de la Vie - Singapore's First Theatrical Circus

Thanks to Resorts World Sentosa, I was recently given a pair of tickets to their ongoing "rock circus" performance Voyage de la Vie as part of their Date Night, as well as a complimentary bottle of sparkling wine. As my wife has seen the show previously, I decided to bring my boy Ethan along.

Helmed by former MediaCorp Executive Producer Andrea Teo, who is now the Vice-President of Entertainment at Resorts Wrold Sentosa, Voyage de la Vie features the talents of creative producer Mark Fisher (chief designer of 2008 Beijing Olympics' opening and closing ceremonies), Michael LaFleur - a previous imagineer with the Walt Disney Company, Philip Wm McKinley of "Ringling Bros and Barun and Bailey's The Greatest Show on Earth" fame, set designer Ray Winkler (who worked on tours for U2, Generis and the Rolling Stones), and composer and former Singapore Idol runner-up Jonathan Lim.

Featuring a multi-national cast from all over the world, Voyage de la Vie is part circus, part musical fantasy and part theatre. Fans of Cirque du Soleil productions would be familiar with the way in which elaborate oriental-inspired sets, musical scores, athletic circus performers and a touch of drama fuse together in this theatrical production.

The basic story behind the show is one where an office worker escapes a humdrum and meaningless existence (sounds familiar?) to enter a magical fantasy land where the impossible happens.

Quoting from the programme booklet as follows:

"Trapped in a dreary existence, a young man's desire to find meaning and fulfilment in this life leads him to set out on a magical journey of fantasy and imagination in a world beyond ours. Here, he will meet extraordinary characters undergoing breathtaking feats of skill and daring. Through their trials and adventures, the boundaries are blurred between conflict vs resolution, reality vs illusion, temptation vs desire, and imagination vs true love. At the end of his wondrous quest, the young man finally realises his true destiny... To appreciate life, he has to first understand himself."

Like the Cirque du Soleil theatrical circus performances, the show featured pre-performance comedians who in this case came disguised as a pair of bumbling husband and wife tourists. Interacting and teasing the audience together with a stern-looking "security guard" they provided light-hearted entertainment to usher in the mood.

In my opinion, the main show itself scored several hits and misses. The overall choreography was pretty slick and one scene flowed seamlessly into the next without any jarring shocks.

Most of the cast members are highly proficient performers, wowing the audience with their sense of rhythm, athletic grace and military-like precision. I found the performance by the two ladies swinging up on the trapeze heart-stopping, while my son enjoyed the juggler's eye-popping skill in tossing 7 balls up in the air. The archery act with a William Tell inspired shoot-the-apple-above-one's-head act was also impressive.

The sets and costumes are also wonderfully created, transporting one effectively from one scene to the next, with a weird mix between exotic orientalism, nostalgia, punk rock, and a dystopian future. While the contexts of Western-performers dressed as oriental soldiers seemed a little amusing, I liked how the various visual and audio elements fused together.

What could have been improved is the coherence of the script and the role of the main singing character himself. The act of "discovering himself" doesn't really come across very strongly and most of the time, the character appears to be more like a bewildered spectator (like the rest of us) rather than an active participant in the unfurling story. I would also have liked it better if Singapore's cultural context could have been integrated into the overall narrative.

Having said that, I still found Voyage de la Vie highly entertaining. One should view it as a human circus that is infused with a musical score to enjoy what it provides. As the first such performance coming from our shores, we should certainly have something to be proud of.

For more details on Voyage de la Vie, check out the website here. Tickets are available from $48 to $188 from all SISTIC Outlets islandwide.

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Friday, March 30, 2012

Biscuit & Ball Spring/Summer 2012 — this.hearts.on.fire.

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Recreational Nuclear Physics: Nuclear fusion now seen as a real ...

From MSNBC: Nuclear fusion now seen as a real possibility
If new computer simulations pan out in the real world, nuclear fusion, the power source that makes stars shine, may be a practical possibility here on Earth, scientists say.

Simulations at Sandia National Laboratories in New Mexico revealed a fusion reactor that surpasses the "break-even" point of energy input versus energy output, indicating a self-sustaining fusion reaction. (This doesn't break any laws of physics for the same reason that starting a fire with a match doesn't).

Extremely high temperatures and pressures are needed to spark nuclear fusion, a process in which atomic nuclei — the protons and neutrons of atoms — literally fuse together to create a heavier element. And if the conditions are right, that fusion can release massive amounts of energy.

The results of the new study have applications in weapons testing (it's feasible to test the effects of nuclear weapons in the lab, but not in the real world) and for clean energy, as the experiment relied on deuterium, which could be extracted from seawater.

In stars, the mass of hydrogen is so large that its own gravity keeps the hydrogen and helium at the center in a small area, and the temperatures are in the millions of degrees. Essentially, the plasma (gas that has had its atoms stripped of electrons) is confined forever, and the protons can't escape and take their energy with them. So hydrogen fuses into helium, producing a lot of energy in the form of light and heat. But that's a lot more difficult to do in a lab. For years, scientists and engineers have been looking for ways to confine plasma that is so hot it would melt the walls of any container and force atoms together to make them fuse. Inertial fusion
At Sandia, they are testing a method called magnetized inertial fusion, in which two coils are used to generate a magnetic field. Rather than a solid container, this magnetic field confines the plasma.

A metal cylinder, which lines the inside of each of the coils, has an inner coating of deuterium and tritium (isotopes of hydrogen, the former with a single extra neutron and the latter with two). The metal liner is preheated with a laser, and then hit with a current of tens of millions of amperes.

That current vaporizes the liner, but before it does so, it generates a very strong magnetic field nestled inside the one from the coils. As such, the outer magnetic field squeezes the liner with so much force that it shrinks to a small fraction of its original size. That crushing force is enough to get the deuterium and tritium atoms confined long enough to fuse into helium, releasing a neutron and some extra energy.

The method, which is different from the controversial cold fusion in that temperatures go well above room temperature, was first proposed by Sandia researchers Stephen Slutz and Roger Vesey in December; they published their work in the journal Physical Review Letters.

In their computer simulations, the output was 100 times that of 60 million amperes put into the system. The output rose as the current went up: 1,000 times the input power was reached from an incoming pulse of 70 million amps.

Real-world tests
Even at Sandia, there isn't a machine that can generate such a huge pulse of energy. The Z machine, a powerful X-ray generator, can hit about 26 million amperes. That might be enough, though, to prove the concept works by hitting the break-even point, where the energy put into the reaction is the same as that which comes out.

Sandia scientists are currently testing the different components of the new machine; right now, they are working on the coils, but a full-scale test should happen in 2013, they say.

Sandia spokesperson Neal Singer noted that one purpose of this work is to study the effects of nuclear explosions without actually exploding a bomb. The United States currently abides by a moratorium on underground nuclear tests. But testing warheads in some manner is essential because the nuclear stockpile is aging. Being able to create fusion reactions in a laboratory setting will go a long way toward making nuclear explosions unnecessary.

Of course, it is still uncertain whether the reaction will work the way the researchers hope. Instabilities that appear in the magnetic fields that contain the plasma, for instance, have been an obstacle to working fusion power plants. Those instabilities allow the plasma to escape, so it doesn't fuse. But the work at Sandia is a step in the right direction, said Stephen O. Dean, president of Fusion Power Associates, an advocacy group that has pushed for development of fusion energy.

"They are working at a higher density than other fusion experiments," Dean told LiveScience. "So there's more classical physics … it's better understood." Other approaches, he said, such as using lasers to force deuterium nuclei together, produce interactions that have not been studied as extensively.

Though this work is ostensibly to test weapons, Singer acknowledged its application to power generation, and that it would be a big step. Dean was more emphatic. "Even though it's a weapons program, (power) is in the back of everyone's mind," he said.

Randy Thompson Collected (2012) | exystence

Randy Thompson – Collected (2012)

The sprawling Piedmont region of Virginia has been the home of a lot of music down through the decades. Country, bluegrass, and American roots, in particular, have all been a part of the people and the land for the last century. Randy Thompson’s ancestors settled in the area in the early 1700s, and their immersion within the region’s culture and music has inevitably shaped his development into a musician of note.
Thompson is now about 25 years into his career and while his studio recordings have been sparse, albums such as Wearin’ Blue (1998), That’s Not Me (2004), and Further On (2008) contain sophisticated and very listenable country and roots music. He has always been more popular in Europe than…

mp3 VBR~258 kbps | 116 MB | DF | MC

…the United States, where he is more of a well-kept secret despite years of constant touring and producing excellent music.
Thompson has now returned with his latest, Collected, a compilation of 15 tracks recorded over the last 13 years including three new songs and a single from last year. The album gathers together eight European Hotdisc singles and a Top 40 American country single, “Sound Of The Rain.” All together, this is a wise release on for Thompson as it presents the best of his musical output.

The music finds him exploring his heritage as rock and country fuse together into a unique American sound. His incisive lyrics tell stories of the land and of his experience as he sings of war, peace, love, and fears of life. Above all, the music is simple, beautiful, and always truthful. Songs such as “Goin’ Down To Lynchburg Town,” “Ol’ 97,” “Rocksalt & Nails,” “Molly & Tenbrooks,” and “Sound Of The Rain” are all fine examples of his picturesque, cinematic style and storytelling ability.

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This Is Your Brain on Second Language Stupid Ugly Foreigner

The wall

Pictured above: not the actual language I'm talking about. But I do love this picture.

As I brave the strange, navel-gazing midlands between “I speak Korean” and “Korean is a language that I know exists,” I have a great deal of time to reflect on the status of my own brain. The trials and tribulations, the ups and downs, the dizzying, self-satisfied highs of language successes and the mortifying, protruding-lower-lip lows of language failures. Being in the spooky land of intermediate capability in a language means my skills and capabilities are only so trustworthy. That, at any given time when I am expected to engage in my second language, the odds are about at even that I will manage to stun all listeners with my thrilling turns of phrase as are the odds that my tongue and teeth will fuse together into a tumorous fistula of flesh and manage to produce only the most mewling and pathetic of brays. Operating in a second language means being at the whim of your mood, your energy, the nimbleness of your articulators. It means seeming all over the place: at one point ragingly fluent, at others stunningly mute.

There are, of course, patterns I have come to notice in my own journey towards mild competence. Over time and experiencing both the greatest of shame and pride, my Korean has given rise to some easily-recognizable quirks.

1. The Boot-Up

More times than I can count, I have entered into some sort of interaction in Korean and have found it completely unnavigable. The waters are dark and murky and made entirely of strange, alien grunting sounds, all of whom are flitting about one another in arcane, incomprehensible ways, like galactic Rubik’s cubes made in seven dimensions . I am positive I am unable to speak Korean, and that I have never even heard the language before, or possessed any knowledge of its cursed existence.

And then, after a few seconds or minutes of panic, things begin snapping into place. It takes a few minutes to get into second language mode, to slip into the right gear where I start actively processing the language in front of me. I’m used to just hearing and talking, so having to go through the middle steps – the actual processing and slow construction and production of meaning – takes a minute or two to get online.

That the other party has often given up by this point and believes me to be a mute boob is of some concern, and I then need to go on a rampage of linguistic competence to back-up the belief that I can speak any Korean. Really! I just needed to stretch before the work out.

2. Overheating

The conversation is going pretty rad. I’ve been spouting mad morphemes left and right, and the table is compelled by my juvenile command of their native language. My hands flutter about the table like I am conducting a symphony orchestra, and I pull faces to fill in the gaps, but I’ve been managing to communicate entirely in this second language for hours. I feel like a bad-ass. A foreign-language-talkin’ bad-ass, which is to say: the best kind.

And then suddenly the ability stops. A brain-cramp, a shorted fuse, or simply all of my vocabulary leaking out the back of my head. I can’t think in Korean, or sputter a single syllable. I am out of brainjuice. Everyone at the table looks at me. When they open their mouths, all I hear is the quacking of ducks and some trombone slides.

The first laptop I ever got, I managed to fill with so much excess crap that it tended to run hot. So many things were going on, and because it was kind of a piece of crap, the overheating would lead to it simply giving up, like a lazy kindergartner, and shutting down.

Speaking in a second language means doing a lot more work just to produce the same thing you would in your native language, and after a few hours, the power cuts. You’ve been running hot for too long.

The river

3. The On Day and the Off Day

Some days, everything just goes right. Circumstance, the exact optimum levels of caffeine and arrogance, and actual language skill coalesce. Every interaction you have in your other language goes swimmingly: you seem smooth, debonair, practically a native speaker. You understand everything being said to you, and manage speedy, efficient replies that speak to your deep and elegant competence in this tongue.  People everywhere note your capability or, even better, barely notice it at all, such is your breezy naturalness. You begin thinking you could take up poetry in this, nay, all languages, such is your polyglot prowess. Has anyone ever been such a linguistic superhero?

Some days, it all seems to have fallen apart. Someone uses a grammar point with which you are on shaky ground. Circumstance forces you into a bank, or a hair-dresser, or a conversation with someone as old as the sun, and suddenly there is scary new vocabulary, issuing out of the dark ancient caves of this foreign culture, like monsters of the deep clawing their way from aged, terrible mouths. Your confidence is in shambles, and no one understands your accent, and you wonder how you ever thought you could manage to speak anything ever at all. You are fairly certain it would require at least two tongues to ever speak these horrible, chthonic incantations.

These days sometimes come right next to each other.

4. The Spread

As we’ve talked about, sometimes your vocabulary can get a little one-sided. Experience in one arena, or just the availability of better materials for one area of language tips the scales so that you essentially know how to speak restaurant Korean, or bank French, or high school student Punjabi. Exit the safe confines of these comfortable walls, and suddenly you’re in the dark.

But it also depends on who you’re talking to. Some people are better apt to deal with a second language learner. They have the patience, or the know-how, or just a sympathetic ear. They know how to collect the gist from the shambles of phonetic and morphemic scraps blizzarding out of another’s mouth, how to take these torrents of meaning and construct them into something vaguely resembling their own language. They are willing to put in the work to understand what you are saying, and become far more capable than anyone else in managing it. And when you speak to them, the feedback loop of positive reinforcement and actual exchange makes the language happen. You’re doing it!

But if you meet someone not ready for the challenge, suddenly you’re back to not doing it at all.

And this is the nature of language learning. There’s ups and downs and obnoxious cul-de-sacs and vicious plateaus and sudden black holes that suck up all of your hard-won syntax. With time and practice, you can start to fend off these harsh variances, and it’s really just a matter of dragging up your batting average of the good days versus the bad.
Calligraphy

Tips For Dealing With A Leaky Faucet

2:58 pm breaking business news

boiler service Cardiff, Plumbing issues can damage both your home and your household goods. Here are some tips to help you begin fixing whatever plumbing problems you may need help with boiler service Cardiff.
Having to repair pipes that freeze could be very costly. Fortunately, it is usually relatively easy to prevent your pipes from freezing. The first thing you should do is ensure your outside pipes are thoroughly wrapped or insulated. When it gets colder, disconnect and drain the hoses and turn the outside faucet off. If you do this, it will help you to save on repair bills.
The valves that are rarely used can fuse together easily. Maintain them with penetrating oil, and rotate them every so often so they don’t stick.
It’s just as harmful, if not worse, to tighten your pipes too much when installing them as it is to leave them too loose. You can damage threads and run the risk of cracking the pipe; make sure to tighten it just enough to stop leaks, not more.
Ask your plumber to handle all your plumbing problems at once rather than calling him several times to resolve different problems. Your plumber charges for each visit, so it’s best to deal with as many problems in one visit as possible. Before you schedule an appointment with a plumber, go through your system and write down everything that needs work. This limits your up front expense to one call and also saves you the time and stress of a second call boiler service Cardiff.
To stop major leaks before they happen, it is a good idea to maintain your pipes and faucets with regular checks. You should check underneath pipes for moisture or tiny leaks because you can lose as much as 150 gallons of daily water from them. Fixing problems as they happen also makes your pipes last longer.
Plumbing issues can be bothersome, but with perseverance and hard work, they can be fixed. It only takes research and possibly consulting with a plumber to learn how to fix plumbing issues. The above plumbing advice can help you to avoid major fiascoes make sure you choose boiler service Cardiff.

Thursday, March 29, 2012

Digital Recording Equipment: Perfect Your Sound! - The Drum ...

The quality of digital recording equipment is crucial for musicians, especially drummers because it is very easy for the sound of an acoustic drum to become distorted by poor digital recording equipment. The sound from poor digital recording equipment often records vibrations as static and creates a lot of white noise between recordings which muffles the clarity and resonance of the actual piece being composed making it sound unprofessional and compromising on your musical integrity.

The following digital recording equipment is the works best for drummers when they want to produce quality digital recordings:

➢ Drum Loop Pedal: A drum loop pedal is extremely useful when you are recording as you can add layers of beats to your track which you can fuse together to create intriguing sounds. This gives you freedom to play around with the sound and you can find out how a particular beat sounds by matching them to others and compiling them together at the end for the final track.

➢ Digital Recording Software: These days most digital recordings are done on computers. Invest in quality sound recording and editing software to create and render the final version of your track for professional grade sound quality.

➢ Metronome: A metronome is a device that can produce regular, metrical clicks which can be set in beats per minute. The clicks represent a focused, regular aural pulse, which are sometimes emphasized by synched visual motions such as a swinging needle or pendulum. Drummers can create a metronome roll while they play but whilst recording it is very useful to have a metronome to stay in tune.

➢ Drum Microphone Kit: These are a series of microphones that you can hook up to different pieces of your drum kit so that they record the individual sounds being produced with every stroke and accent clearly. A standard kit would have four microphones, a standard mic on the snare, a separate one for your tom, and one for your kick. Some kits have an audio technical mic that is attached to your set for backup vocals.

Every musician knows the importance of sound recording to document their sound and performances. The reasons behind this are numerous, such as critiquing your own work, listening to your sound on playback to pinpoint errors and mistakes, creating a demo disc for distribution to labels in hopes of getting discovered or simply for your own enjoyment. What is essential is that you have the correct digital recording equipment that can do justice to your music and can record it as clearly as possible.

Noise reducing headphones are also essential when you purchase digital recording equipment as you need to hear your sound down to the very last beat so that it turns up perfect in the final recording. Without them you would not be able to decipher miniscule feedback that you might not notice after sessions of playing but become blatantly obvious after the final recording which takes ages to fix, costing you a lot of time and money.

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Sticks n Sushi – Charlotte Hu Photography

Last night I tried out Wimbledon’s newest sushi restaurant, Sticks n Sushi. Loved it; seriously loved it. The restaurant has only been open a few weeks, and it was easy to see how it has gotten such great reviews. The decor was somehow both spacious and cosy (very Nordic!) and the staff were super-friendly.

The food centred mainly around yakitori (sticks) and sushi. I was curious about how Denmark and Japan would fuse together food-wise. The answer: splendidly.

These ebi bites were sensational:

The marcel chocolate cake with raspberry foam was a slice of heaven. Really. M wouldn’t let me talk to him until he finished his piece (“don’t you dare ruin this by talking!”)

Oh I will most definitely be back soon.